I'm Not Doing Cartwheels Over Disney's First Black Princess!

I was looking at CNN's coverage of "The Princess & The Frog" cartoon the other night.They were at the Atlanta premiere talking to black mothers & daughters that just saw the film.And some of the folks they interviewed went way overboard in their enthusiasm for this cartoon,in my opinion.I mean,one lady dressed up as a princess for the grand occasion.

They acted as if this movie validated them in some way.How is it that people are looking to Disney to present an image that African-American children can be proud of? Is this not the same company that perpetuated awful black stereotypes for decades? I just find all the hoopla to be a bit ridiculous.Their "black princess" is not based on any sort of reality.She's truly a black American princess.

If African-American parents really want their kids to see a black princess,they should look to Africa.There are plenty of examples of what real black royalty looks like on that continent.I didn't need Disney to give me an image of a black princess.

My father had books on ancient Africa that contained depictions of all types of African princesses.He schooled me on the historical significance of African people.I have always known that we were once kings & queens.Look to Ethiopia & Nubia for some of the oldest representations of royalty.Period.

Because I know my history,I'm not doing cartwheels over Disney's first black princess.

Here's more from The NY Times:

"“Finally, here is something that all little girls, especially young black girls, can embrace,” Cori Murray, an entertainment director at Essence magazine, recently told CNN.

To the dismay of Disney executives — along with the African-American bloggers and others who side with the company — the film is also attracting chatter of an uglier nature. Is “The Princess and the Frog,” set in New Orleans in the 1920s, about to vaporize stereotypes or promote them?

The film, directed by Ron Clements and John Musker, two of the men behind “The Little Mermaid,” unfolds against a raucous backdrop of voodoo and jazz. Tiana, a waitress and budding chef who dreams of owning a restaurant, is persuaded to kiss a frog who is really a prince.

The spell backfires and — poof! — she is also an amphibian. Accompanied by a Cajun firefly and a folksy alligator, the couple search for a cure.

After viewing some photographs of merchandise tied to the movie, which is still unfinished, Black Voices, a Web site on AOL dedicated to African-American culture, faulted the prince’s relatively light skin color. Prince Naveen hails from the fictional land of Maldonia and is voiced by a Brazilian actor; Disney says that he is not white.

“Disney obviously doesn’t think a black man is worthy of the title of prince,” Angela Bronner Helm wrote March 19 on the site. “His hair and features are decidedly non-black. This has left many in the community shaking their head in befuddlement and even rage.”

Others see insensitivity in the locale.

“Disney should be ashamed,” William Blackburn, a former columnist at The Charlotte Observer, told London’s Daily Telegraph. “This princess story is set in New Orleans, the setting of one of the most devastating tragedies to beset a black community.”

ALSO under scrutiny is Ray the firefly, performed by Jim Cummings (the voice of Winnie the Pooh and Yosemite Sam). Some people think Ray sounds too much like the stereotype of an uneducated Southerner in an early trailer.

Of course, armchair critics have also been complaining about the princess. Disney originally called her Maddy (short for Madeleine). Too much like Mammy and thus racist. A rumor surfaced on the Internet that an early script called for her to be a chambermaid to a white woman, a historically correct profession. Too much like slavery.

And wait: We finally get a black princess and she spends the majority of her time on screen as a frog?

“Because of Disney’s history of stereotyping,” said Michael D. Baran, a cognitive psychologist and anthropologist who teaches at Harvard and specializes in how children learn about race, “people are really excited to see how Disney will handle her language, her culture, her physical attributes.”

Mr. Baran is reserving judgment and encourages others to do the same. But he added that the issue warrants scrutiny because of Disney’s outsize impact on children.

“People think that kids don’t catch subtle messages about race and gender in movies, but it’s quite the opposite,” he said.

Donna Farmer, a Los Angeles Web designer who is African-American and has two children, applauded Disney’s efforts to add diversity.

“I don’t know how important having a black princess is to little girls — my daughter loves Ariel and I see nothing wrong with that — but I think it’s important to moms,” she said.

“Who knows if Disney will get it right,” she added. “They haven’t always in the past, but the idea that Disney is not bending over backward to be sensitive is laughable. It wants to sell a whole lot of Tiana dolls and some Tiana paper plates and make people line up to see Tiana at Disney World.”

Few people outside the company have seen footage of the movie. Among them are consultants like Oprah Winfrey, whom Disney asked for input on the racial aspects of the film and was cast as Tiana’s mother. (Movie theater owners and members of the N.A.A.C.P. have also been shown scenes, and the reactions, according to a Disney spokeswoman, were “extremely positive.”)(END OF EXCERPT)Read the rest here.